The production of authentic victims, or victim authenticity, is an inherently voyeuristic or pornographic practice that, no matter how carefully or sensitively it is done, transforms the position of the ‘victim’ in his or her society and produces a language of victimization for him or her to speak on the international stage… The remove between the human rights professional and the people they purport to represent can reinforce a global divide of wealth, mobility, information and access to audience. Human rights professionals consequently struggle, ultimately in vain, against a tide of bad faith, orientalism and self-serving sentimentalism.

— Madlingozi (2010). On Transitional Justice Entrepreneurs and the Production of Victims. Journal of Human Rights Practice, 2(2), 208-228


Anna Naklab’s “Supergirl”

A remake of Reamonn’s “Supergirl”, one of my favorite songs when I was younger (back when we used to listen to songs on the radio primarily and the CD player if we wanted to go fancy).

Anyway, the video is fun with a love/attraction story between two women. Best part, there is not a single rainbow, nor do they get married, nor join the army, nor do they get gay bashed or any mainstream hooks on queer issues.